There is no doubt that the USA is becoming more polarized in terms of politics every day. Every day, we’ve got Republicans blaming Democrats for the state of the economy and Democrats blaming Republicans. Both sides say the other refuses to compromise. In this day and age, who’s at fault? Patriocracy dares to dig into the issue and come back with the truth. Both sides are at fault. That’s easy to say, but how do you show it?
Short films can be quite difficult to pull off. At a runningtime usually under 20 minutes,the film has to get to the storytelling immediately, get you invested in the characters quickly and tell a story leaving you satisfied before the credits roll. This is the first short film I’m covering for the 2011 Starz Denver Film Festival.
Terrebonne is the story of a college student (Dean J. West) visiting a young boy named Fry (Cullen Chaffin) who claims to have seen an incredibly rare ivory-billed woodpecker. The boy’s sister, Jean (Jessica Heap) decides to go with them into the bayou to find where the boy saw it. While on the trip, Jean’s embarrassing past comes to light. The films ends at a nice point that leaves you satisfied, while still wanting more.
I generally keep my faith out of ScreenGeeks.com. I’ve never shied away from the fact that I’m a Christian, but I’ve made a conscious decision not to base what we do around that fact. The point of this site is to talk about film and our love of this beautiful art form. With that in mind, I hope you’ll indulge me for this review as my thoughts when it comes to Seven Days in Utopia are directly affected by my faith, beliefs and convictions.
Christian movies have always had an uphill battle. The apparent train of thought held in the Christian filmmaking community is that the genre must always be in service to the message. This means that certain things can NEVER occur in a Christian movie. Things like swearing, violence, sexualization of any kind gore, crude humor, or anything relating to dark spiritual forces just don’t show up in Christian movies. The theory is that by even showing these things, you are glorifying them, which isn’t what good Christians do. Living by that one rule, most Christian movies end up sacrificing things crucial to the cinematic experience like solid set design, an engaging story and competent direction, writing and acting. If you were to look at most Christian movies, the problem doesn’t lie in the religious message. The problem is everything else.